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Archive for March, 2011

This is the question every dance/movement therapist gets – often.

For many people, “dance” is associated with ballet and tutus… or jazz hands and pom poms… or grinding on the nightclub floor. How would that way of moving be a psychotherapy, they wonder. While each of those dance expressions (and dozens more) are valid in their own right, they are not to be expected in a dance/movement therapy session.

One of the challenges of actually showing people what DMT looks like is the fact that DMT is done with patients and clients, not students. There are HIPAA privacy laws and rules of confidentiality and ethical considerations. Dance/movement therapy is a psychotherapy and crucial to the success of any therapy session is an atmosphere of psychological safety – a “safe space” within which to explore thoughts, feelings and the unconscious. A video camera with a red, glowing light does little to engender that feeling of safety.

But once in awhile, permission is granted to video and the resulting footage can go a long way to shedding light on our work.

Below is one such video.

Dr. Lori Baudino, a clinical psychologist and board-certified dance/movement therapist, pioneered the development of the first dance/movement therapy program at Mattel Children’s Hospital at UCLA. (I have also had the distinct pleasure of serving alongside Dr. Baudino on the Board of Directors for the California Chapter of the ADTA.)

In this video, Dr. Baudino explains how she uses dance/movement therapy, one on one, with children in the hospital. The footage might surprise you – the work is subtle. She comments about this, too, in her narrative. There are wonderful clips of Dr. Baudino establishing and building relationship with the children through attuning to their movements. Interspersed with the clips, she explains what she does.

Key to dance/movement therapy (as opposed to a dance class or a Zumba™ class) is the therapeutic relationshiop that exists between therapist and client. All movement expression that occurs does so within that relationship. Movement communicates. Dance communicates. The dance/movement therapist is uniquely trained to understand that communication, facilitate it and deepen it.

Surprised by anything in the video? Curious? Intrigued? Feel free to comment and I’m happy to continue a dialogue or answer any of your questions.

Also, if you’d like to read more about the use of dance/movement therapy in the medical field, the current President of the ADTA, Dr. Sherry Goodill, has written a comprehensive book on the subject: An Introduction to Medical Dance/Movement Therapy – Healing in Motion. It’s an amazing feat of scholarship. If you’d like to take a look inside her book, click here.

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March 20-26, 2011 is National Creative Arts Therapy Week!

In celebration of dance/movement therapy and other creative arts therapies, I pledge to post often this week, shining light on my esteemed colleagues all over the world who are facilitating healing through the creative arts.

Creative arts therapy modalities include dance/movement, drama, music, poetry, and art.

I have had the privilege of working with music therapists (both bachelor’s level and master’s level therapists) at various psychiatric hospitals. Some of my most memorable groups have been those that were co-facilitated with a music therapist, where not only the movement but also the live music itself were sculpted by both of us in constant collaboration, in response to what the patients were expressing in the moment.

In celebration of my friends and colleagues who are music therapists, I would like to bring your attention to an independent film that is making its way across the country right now. The Music Never Stopped, an official 2011 Sundance selection, stars Julia Ormond (as a music therapist!) and is based on a true story.  The music therapist character is loosely based on a pioneer music therapist, Dr. Concetta Tomaino, who is now the Executive Director and Co-Founder of the Institute for Music and Neurologic Function.  In this press release, Dr. Tomaino speaks about the evidence based applications of music therapy:

“For example, with someone who has memory problems, particularly with Alzheimer’s disease or dementia, we will use music of personal importance. Those emotions are then connected to deep memories that we can attempt to retrieve as they are exposed to that specific music. We also use rhythm to help people with movement disorders such as Parkinson’s disease, or a stroke, to help people regain their ability to move, as well as a singing protocol that we use for people with strokes to help them regain the ability for speech. We’re using music in ways to reach people on a deep, clinical level.

…Something as simple as a beat or rhythm can stimulate and coordinate movement. The more complex the sound stimuli are, the more neurological functions are activated. If you think of networks in the brain being excited one network at a time, the more complex the sound that is stimulating those networks, the more heightened the response.”

As music and rhythm are also integral to dance/movement therapy (though not always used) the observations Dr. Tomaino speaks of are also seen in dance/movement therapy groups with these same populations.

The healing power of music and movement and rhythm and embodied awareness/expression is profound. I am so proud to be a part of the dance/movement therapy profession and the greater creative arts therapy community. We are all pioneers!

Here’s to a week of celebrating the work of creative arts therapists everywhere!

More to come….!

(And in the meantime, why not catch a flick? Watch the movie trailer for The Music Never Stopped here. Perhaps it’s at a theatre near YOU.

Read about a music therapist’s perspective on the movie here.

 

 

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