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This week (July 23-28) DanceAdvantage.net invites the world to participate in a social media based campaign united on the importance of dance: “Why Dance Matters.”

My dance/movement therapy colleague, Donna Newman Bluestein, has done this exquisitely well in her blog, Musings of a Dance/Movement Therapist. I encourage you to take a few minutes to read her post. You can bet I will be quoting her words for a long time.

I, however, am finding it harder to describe the power of dance as she has, so summarily and eloquently. My response seems to be emerging in vivid memories – moments that have stood the test of time over the decades and remain in my consciousness, reminding me of the power of dance to enliven, to connect, to pierce isolation. To express – joy, grief and everything in between. To not only encode memory but also evoke it.

If only I could provide a YouTube link to these unforgettable moments etched in my bodymind. Alas, I will attempt to rely on clumsy and inefficient words to describe what dance does so effortlessly. (Ah yes, how could I forget that one: dance communicates. Dance communicates what even the most skilled wordsmiths can only silhouette.)

And so, I offer these mere silhouettes and hope they do some justice in verbally conveying what was first experienced, so perfectly, nonverbally.

~~ Why Dance Matters ~~

As I reflect on these words, one of the first images that floods my mind is that of me dancing the Two Step with my grandfather and the Schottische with my grandmother at rural community dances when I was a young child. My grandfather passed decades ago and my grandmother is now an amazing and vibrant 90. Those moments of physical touch, of loving gazes from twinkling eyes, of our laughing and moving together will always remain in my heart and bring joy and comfort to me all my life. To have danced with my grandparents…

~~ Why Dance Matters ~~

Every week I enter a room at some psychiatric hospital, prepared to lead a dance/movement therapy group with inpatients who are in crisis. As I enter, I witness withdrawal, disconnection, paralytic depression, isolative preoccupation. Often those with thought disorders are talking to themselves or imagining some delusional yet terrifyingly real threat to their personhood. Attempts at facilitating a group discussion are. . . well, mere attempts. Focus, interaction, listening, organized verbal expression: all these things are nearly impossible to facilitate amongst such a diverse group of individuals challenged with such severe psychiatric symptoms.

But the dance…

The music plays and an ever-surprising, inspiring and magical dance emerges that I feel blessed to witness and partake in every time. I never know how one patient will respond or who will be inspired by whose movement to express themselves in what way. But they do: Respond. Interact. Dance. Sometimes alone, almost always, eventually, with each other as one group. Maybe the group cohesion is only for a few moments but those moments are gold. The voices quiet (or at least are ignored for a bit), the isolation melts, joy – that ever elusive joy – is felt, embodied and expressed. Or perhaps there is sadness and despair or anger – but these feelings are permitted, embodied, symbolized, expressed. People are accepted for who they are and embraced. Nonverbally the dance says We are all welcome here and we have something to say and we shall say it with our bodies.
Every time. It is both commonplace and miraculous.

Every.
Time.

~~ Why Dance Matters ~~

Elsie. *

Eighty-something, she lived alone in an apartment in an enriched housing apartment complex. I did a portion of my dance/movement therapy internship there after grad school. Elsie would never leave her apartment for activities. In fact, she wouldn’t even leave for meals, often insisting the meals be brought to her apartment where she dined alone. But all I had to do was knock on the door and say “Elsie, there is a dance downstairs. Would you like to dance?” Her eyes would come alive with a fire and a joyous anticipation.

Well, let me just change my shoes…

She was the belle of the ball every time, even if our “ball” was only a circle of folding chairs in the tv room in the middle of the afternoon. She was there to dance.

And did she dance.

~~ Why Dance Matters ~~

There are so many other stories. . . patients frozen physically with severe Parkinson’s disease coming alive with dance like the Wizard of Oz’ Tin Man with his precious oil. Patients with Alzheimer’s disease – withdrawn, unable or uninspired to speak or connect– sharing stories with the group as their spontaneous dance movements evoke memories long since forgotten.

Every day I dance with someone there is a new story.

I cannot imagine my life without dance. I only began dance studio training when I was 16 but I’ve been a dancer in my heart since I was old enough to walk. I am not the most technically trained dancer but I am no less a dancer.

We are ALL dancers.

Donna, so brilliantly, writes in the above-mentioned post that

“While it is true that not every one feels comfortable dancing, it is only because of limiting cultural beliefs. If we taught otherwise, it would be otherwise.”

We ARE all dancers.

I have said it before and I’ll say it again: I have never known as much joy and aliveness as I have when I am dancing – on the musical stage, in the club, in my living room, in a Zumba class, with a lindy hop partner. I have never been so in the present moment as when I am in my dance. And now, as a dance/movement therapist I get to witness and experience the meaningful and, yes, at times life-changing impact of dance on my clients.

Dance is inherently healing – it always has been.

Why does dance matter?

Because it DOES.

We move in the womb. Our hearts beat a pulse. We respond to rhythm as babies with joyous movement even before we can walk. We only stop completely moving in this world when our lungs no longer inflate and our hearts stop beating.

To be alive is to move.

To dance is to be alive.

That is why dance matters.


(You can share your own reflections on Why Dance Matters on Twitter. Just use the hashtag #whydancematters. Also check out the Why Dance Matters Facebook page or the Why Dance Matters website for more ideas on how to get involved in this important campaign.)

* Name has been changed.

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More and more press is being devoted to people who are benefitting from the inherently healing power of dance.
A Zumba® Fitness Class

Recently, the Orange County Register reported on a former Laker girl who offers dance classes to cancer survivors.

Another online article highlights the work of a social worker using dance and movement in her work with a boy with Asperger’s syndrome.

It is always inspiring to read about people’s lives being positively affected by dance, whether it is through Zumba® Fitness or in classes taught by former dancers who know from their own personal experiences how healing and cathartic it can be. Dance IS inherently healing.

The pioneers of the profession of dance/movement therapy were also exploring the use of dance as therapy in the 1940s and 1950s, planting the seeds of the modern profession of dance/movement therapy with their respective groundbreaking work with World War II veterans, psychiatric patients and clients seeking deeper self-understanding.

Dance/movement therapy has come a long way as a profession since the American Dance Therapy Association was established in 1966. We have accumulated nearly four decades of published scholarship and dance/movement therapy professionals practice in over 30 countries. In fact, according to the U.S. Bureau of Labor Statistics, the number of dance/movement therapists in this country is estimated to increase by 15 percent by 2018. (Source: International Business Times.)

To all the dancers, teachers and therapists impacting people’s lives through dance, I invite you to consider undertaking the training to become a board certified dance/movement therapist (BC-DMT.)

With graduate level training, your skills can benefit from the knowledge that dance/movement therapy scholars, researchers and practitioners have cultivated over 60 years.

Under the tutelage of renown clinicians, you can learn to hone your compassionate instincts into the refined nonverbal and verbal skills of a trained therapist, one who understands thoroughly the nuances of how to best employ dance and movement to facilitate healing.

Dance/movement therapy group. (Photo courtesy of ADTA.)

Dance does heal. Yes! Absolutely! It is therapeutic, cathartic, empowering! Dance has been a healing force in communities since time immemorial.

The practice of true clinical dance/movement therapy (DMT), however, is a complex and nuanced one, involving graduate level understanding of all of the following:

psychological theory
human development
multicultural perspectives
group process
behavioral research
psychopathology, psychodiagnosis and assessment skills
dance/movement therapy theory
expressive & communicative aspects of verbal & non-verbal behavior
movement observation and analysis
human anatomy, kinesiology, and basic neuroscience
and clinical applications of DMT with individuals, families & groups
(Source: ADTA.org)

Even though DMT has been an organized profession since 1966, many people exploring the therapeutic use of dance today feel they are creating something “original” and pioneering a new path.

One truth is these paths were actually pioneered decades ago…

Marian Chace: a pioneer of modern day dance/movement therapy.

AND, yet, another truth is that, in fact, we are ALL STILL pioneers.

Dance/movement therapy graduate students at Drexel University

Dance/movement therapists belong to a community of trailblazers that have been on the cutting edge of mind/body medicine since the mid 20th century. However, in a population of over seven billion people, it is hard to hear the voices of less than two thousand dance/movement therapists dispersed around the globe.

But, the number of voices is multiplying. Adding to the chorus, amplified by the power of the internet, are an even greater number of voices proclaiming throughout the world that dance and movement is helping them cope – with cancer, with Parkinson’s disease, with depression, with autism, with Life. If you are a person who is helping others express their emotions through dance or cope through dance… we need you and you need us.

I remember reading once that, by flying in a V formation, geese can fly 71% farther than if they were flying individually. This happens because each flap of the birds’ wings creates an uplift for the birds that follow.

Your flock awaits.

I invite you to learn more about the profession of dance/movement therapy and consider it as a career option. For those of you who already have a Master’s degree in a mental health related field, you can pursue board certification via alternate route training or pursue a PhD in dance/movement therapy. For those of you in the midst of your undergraduate schooling, you might want to take a closer look at these graduate schools offering Master’s degrees in dance/movement therapy. (Note that if relocation to one of the seven graduate programs is not possible for you, alternate route training is also an option.)

Together, let’s grow the research, the scholarship, and practice of dance/movement therapy so that all might understand its efficacy and have access to the healing inherent in dance.

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March 20-26, 2011 is National Creative Arts Therapy Week!

In celebration of dance/movement therapy and other creative arts therapies, I pledge to post often this week, shining light on my esteemed colleagues all over the world who are facilitating healing through the creative arts.

Creative arts therapy modalities include dance/movement, drama, music, poetry, and art.

I have had the privilege of working with music therapists (both bachelor’s level and master’s level therapists) at various psychiatric hospitals. Some of my most memorable groups have been those that were co-facilitated with a music therapist, where not only the movement but also the live music itself were sculpted by both of us in constant collaboration, in response to what the patients were expressing in the moment.

In celebration of my friends and colleagues who are music therapists, I would like to bring your attention to an independent film that is making its way across the country right now. The Music Never Stopped, an official 2011 Sundance selection, stars Julia Ormond (as a music therapist!) and is based on a true story.  The music therapist character is loosely based on a pioneer music therapist, Dr. Concetta Tomaino, who is now the Executive Director and Co-Founder of the Institute for Music and Neurologic Function.  In this press release, Dr. Tomaino speaks about the evidence based applications of music therapy:

“For example, with someone who has memory problems, particularly with Alzheimer’s disease or dementia, we will use music of personal importance. Those emotions are then connected to deep memories that we can attempt to retrieve as they are exposed to that specific music. We also use rhythm to help people with movement disorders such as Parkinson’s disease, or a stroke, to help people regain their ability to move, as well as a singing protocol that we use for people with strokes to help them regain the ability for speech. We’re using music in ways to reach people on a deep, clinical level.

…Something as simple as a beat or rhythm can stimulate and coordinate movement. The more complex the sound stimuli are, the more neurological functions are activated. If you think of networks in the brain being excited one network at a time, the more complex the sound that is stimulating those networks, the more heightened the response.”

As music and rhythm are also integral to dance/movement therapy (though not always used) the observations Dr. Tomaino speaks of are also seen in dance/movement therapy groups with these same populations.

The healing power of music and movement and rhythm and embodied awareness/expression is profound. I am so proud to be a part of the dance/movement therapy profession and the greater creative arts therapy community. We are all pioneers!

Here’s to a week of celebrating the work of creative arts therapists everywhere!

More to come….!

(And in the meantime, why not catch a flick? Watch the movie trailer for The Music Never Stopped here. Perhaps it’s at a theatre near YOU.

Read about a music therapist’s perspective on the movie here.

 

 

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Let me put my cards on the table.

I started this blog two years ago out of a deeply felt frustration that I know is shared by many of my fellow dance/movement therapists. I know they share this frustration in some form or another because the topic and the discussion of ways to address it has been repeated – for years – in professional discussions, online forums and local and national dialogues. It is an ongoing issue for our professional community.

The frustration is this:

In the 21st century, how can it be that the profession of dance/movement therapy is not better known? Better understood? At the very least, heard of? Granted, if one is not working in the mental health or rehabilitation or wellness professions, then it is perhaps logical that the profession be an unfamiliar concept. Certainly, I have never heard of countless occupations. But, how can it be in the 21st century, over ten years since the “Decade of the Brain” concluded, that dance/movement therapy is not better understood by our colleagues whose professions involve psychology or neuroscience?

How is it that when one googles “dance therapy” on the internet, one gets more references to Brittany Spears and pole dancing or random dance classes than one gets legitimate information on the nearly 50 year old profession of dance/movement therapy?

This latest spike in frustration was inspired by the recent feature on Anderson Cooper 360 that took a close look at a day in the life of Gabrielle Gifford’s rehabilitation at the TIRR Memorial Hermann Hospital in Texas.

How is it that when Dr. Sanjay Gupta visited the hospital to get a hands on experience of a day in the life of Congresswoman Giffords’ recovery, dance/movement therapy was not included in the diverse list of therapies? Yes, music therapy was on the day’s agenda and, to Dr. Gupta’s credit, he really appreciated the power of music therapy to work “on developing … attention, memory and overall executive function.” This acknowledgement on a show as respected and widely viewed as CNN’s Anderson Cooper 360 is a real boost for our colleagues in the music therapy profession.

But dance/movement therapy was NOT on the schedule and it was not addressed by Dr. Gupta – by name. However, a quick glimpse at the video of the music therapist, Maegan Morrow, reveals that she was incorporating movement with the music to help her patients improve cognitively and learn to walk again. “Lean 2, 3, 4, Push up, 2, 3, 4…” The diverse therapies at TIRR Memorial Hermann Hospital work together to rehabilitate patients from traumatic injury… and yet the experts on using movement psychotherapeutically, who are specifically trained in connecting through movement and facilitating movement and rhythm – for whatever end goal – are not on that team?

“The brain learns best when it processes cognitive, affective and psychomotor information simultaneously.” (emphasis mine.)
Dr. Michael Merzenich
Neuroscientist

This is fundamental knowledge to neuroscientists and to anyone familiar with “brain-based learning.”

Movement is not only integral to healing psychologically, it is integral to effective rehabilitation of the brain, to learning and to brain plasticity.

Though my peers and I ask these questions – how, how, how can the world not know? – we do so, of course, acknowledging the onus is on us, the dance/movement therapists. This is precisely why I blog on DMT, why I encourage my colleagues to do the same and why I am writing a book on the topics of this blog.

Did you know:

Neuroscientists have declared the importance of psychomotor processing to learning.

The New England Journal of Medicine published that dancing, moreso than any other leisure activity, decreases cognitive decline in senior citizens over 75.

Physical therapists have published repeatedly on the therapeutic value of dancing the tango for people with Parkinson’s disease.

These are but drops in the bucket of research that RIGHT THIS VERY MOMENT reveal the importance of dance and movement in our lives and yet… the official profession of dance/movement therapy remains in the shadows.

Compared to the combined fields that make up verbal psychotherapies (social workers, marriage and family therapists, psychologists, counselors, psychiatrists) – and even to our allied creative art therapists – dance/movement therapists are still very small in number. We practice in countries all over the world but only have seven graduate programs in the United States where the dance/movement therapy master’s degree can be earned. There are additional ADTA approved “alternate route” programs for individuals who have a master’s degree in a related mental health field to get the requisite DMT training; even so, a handful of programs can only produce so many dance/movement therapists a year.

The simple fact of the matter is that at the Evolution of Psychotherapy Conference in Anaheim, California in 2009, the leading psychologists and psychiatrists in the world presented, among other things, on the importance of acknowledging the body in psychotherapy: attending to bodily sensation, breathwork, moving, mindfulness, meditating. The handful of respected dance/movement therapists that attended with me sat, nodding, in agreement. Yes. Yes, we know. This is what we do. This is what we have done for over forty years.

The simple fact of the matter is that 10 million people worldwide are participating in Zumba® classes each week, many referring to it as their “therapy.” Television news stations are doing stories on the effect of Zumba® on its students and teachers alike, noting its therapeutic value in places as unusual as prisons. Again, though Zumba® is a fitness class and not dance/movement therapy, the fact that dancing is experienced as being “therapeutic,” even within the structure of an exercise class, comes as no surprise to those in our profession.

The world is discovering in its own ways that movement and dance and the bodymind connection are important. This is wonderful! This growing awareness should be shining an ever-expanding spotlight on the profession that has been implementing these truths in its clinical practice for decades. Dance/movement therapists have not just discovered the power of movement to evoke emotion… or heal trauma… or break through isolation… or express that which cannot be spoken… or garner insight… or connect with self, with others. Dance/movment therapists have an extensive body of research and theory that delves deeply into these subjects. Our expertise can be your expertise… if the dialogue begins.

We must be on the edge of a fusion, of an integration, of a collaboration between verbal psychotherapies, neuroscience, medicine and dance/movement therapy that will change the course of healing and wellness and recovery in this new century. We must be on that edge. I can feel it.

But the awareness has to spread so that the curiosity can pique and the collaborations can begin large scale.

Dance/movement therapy must go viral.

That is my challenge to you. Help spread awareness. The research and the experts are there to back it all up. What is needed is awareness.

How I wish the media would shed light – BIG LIGHT – on these stories – or simply look in their own communities for the stories that are happening there, right now:

Dance/movement therapists making breakthroughs with children with autism.

Dance/movement therapists teaching staff and caregivers essential nonverbal communication skills to more meaningfully connect with those with dementia and Alzheimer’s.

Dance/movement therapists empowering women in India who are survivors of human trafficking and sexual abuse.

A Dance/movement therapist helping child soldiers in Sierra Leone feel empathy again – and teaching others how to continue the work in their communities through dance.

A dance/movement therapist who has designed a movement based curriculum to help foster empathy and prevent violence in schools.

There is not enough light cast on this work nor on its potential to effect real change in the lives of millions of people across the globe.

Help shine the light.

If your life or the life of someone you love has been touched by Alzheimer’s, autism, bullying, cancer, trauma, Parkinson’s, mental illness, an eating disorder, body image issues, brain injury… if you have ever felt the power of dance in your own life, on some level, please pass this on.

Shine the light.

This is a “virus” the world desperately needs.

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Course Title: Dance/Movement Therapy with Seniors

30 Continuing Education Hours for LMFTs, LCSWs, and Dance/Movement Therapists.
Also partially fulfills alternate route education requirements for dance/movement therapy students.

Offered by
The Center for Movement Education and Research

January 9,10, 2010 – Scripps College — Claremont CA
February 13,14, 2010 – Pomona College –Claremont CA
9:00am – 5:30pm

This dance/movement therapy theory, practice and application course will cover the specific developmental needs of seniors and the dance/movement therapy skills pertinent to working with this population age group. The course content will focus on physical, psychodynamic, psychopathological, and enculturating factors impinging on the later years of human development. Students will be exposed to various clinical concepts of dance/movement therapy viewed within a developmental framework that are pertinent to selected late adulthood populations, including clinical disorders of late adulthood and, the types of somatic transference/countertransference issues that might be encountered.

This course has been approved by the American Dance Therapy Association as meeting the Alternate Route Requirements for the R-DMT credential” and satisfies 30 hours of DMT Theory and Practice Training.

This course meets the qualifications for 30 hours of continuing education credit for MFTs and/or LCSWs as required by the California Board of Behavioral Sciences (Provider #3888). Students taking the class for continuing education are excused from the required assignments other than attendance and participation.

Course Objectives:
1) Students will develop an understanding of the developmental needs, tasks and challenges presented when working with various senior populations.
2) Students will develop a basic understanding of dance/movement therapy assessment and application of dance/movement therapy interventions as they apply to various senior populations.
3) Students will learn interventions through which to facilitate an individual or group dance/movement session for various senior populations.
4) Students will be able to design and facilitate a dance/movement therapy session for seniors that is developmentally sound and takes into account the unique developmental, physical, emotional, psychological and cognitive needs of seniors.
5) Students will conclude the class with a beginning level awareness of dance/movement therapy processes and techniques utilized in working with seniors.

Locations:
Scripps College
Richardson Dance Studio
1030 Columbia Ave
Claremont, CA 91711
Pomona College
Pendleton Dance Center, Studio 16
210 East 2nd Street
Claremont, CA 91711

Course Fee: $750.00

Course Instructor: Gabrielle Kaufman MA, BC-DMT, NCC
is a CMER faculty member, dance/movement therapist and counselor with close to twenty years experience in the helping profession. She has taught creative movement to preschoolers and elementary school students, has used DMT with the elderly, Holocaust survivors, adults with mental illness, individuals with eating disorders and body image issues, with teens at high risk and other individuals suffering from anxiety and depression.
Currently, she is the coordinator of the New Moms Connect Program of Jewish Family Service of Los Angeles. She has run several programs for high risk children and teens in both English and Spanish languages, taught classes to parents of newborns and toddlers, and runs support groups for single parents, women with eating disorders and women with perinatal mood disorders and with seniors. She is a coordinator with Postpartum Support International and has a private practice in Los Angeles.

For Information and Application Contact:
Judy Gantz-CMER Director
POB 2001
Sebastopol, CA 95473

(310) 477-9535

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My name is Lora Wilson Mau. I am a registered dance/movement therapist in California and I am delighted that you have found this blog.  My intention for this space is to provide a forum for people to learn about the profession of dance/movement therapy and to deepen their understanding of the importance of movement and the bodymind connection. I welcome your comments, questions and dialogue!

First, allow me to clarify any misperceptions you may have about this field.  While the modern day profession of dance/movement therapy got its start in the 1940s with WWII veterans and has been an organized, regulated field since the 1960s, many people still do not know what dance/movement therapy is.

1)  Dance/movement therapy is a PSYCHOTHERAPY.  It is not a physical therapy. It is not recreational therapy.  It requires a minimum of a Masters Degree and a 3640 hour post graduate clinical internship on par with other Master’s level mental health therapies (social workers, marriage &amp family therapists, etc.)

2)  Dance/movement therapy generally does not “look” like commonly held ideas of “dance.” Clients do not perform steps or routines as students do in ballet or modern classes.  This is not to say that a session might not eventually incorporate some semblance of choreography or involve techniques that allow the client to deepen his/her body awareness, but the “moves” are self-generated by the client as an expression of thoughts and feelings and the unconscious and supported by the facilitating and therapeutic eye of the therapist. Essentially, in dance/movement therapy, the primary communication is nonverbal, not verbal.

3)  Dance/movement therapy is conducted with individuals, in 1:1 private practice. It is also conducted with groups.  Dance/movement therapy clients can be as young as infants or as old as the frailest elderly.  Dance/movement therapy can be done with those who can run and jump and those who are confined to a wheelchair or a hospital bed. Dance/movement therapists work in mental health clinics, nursing homes, psychiatric hospitals, schools, in private practice and as consultants. Essentially, if one would benefit from “talk” therapy, one would also benefit from dance/movement therapy.

4) No two dance/movement therapy sessions look alike as each session develops in the present moment with what the client brings to the session, consciously and unconsciously.

Hopefully, the information above has not simply provided you with answers but has sparked your curiosity and left you with more questions!  I invite you to subscribe to my blog via the RSS feed so you will be kept abreast of the latest postings and articles. In the meantime, if you’d like to learn more about the profession of dance/movement therapy, I encourage you to check out the American Dance Therapy Association’s website.  The organization is the middle of a redesign of its site,  so it will become much more user friendly very soon; but, in the meantime,  the information is all there.

Happy Reading!  (And don’t forget to dance today!)

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